Mophonics : A Music Company

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Brad Breeck. composer.

Skull Tape
Skull Tape

Fascinated by the late 2000/early 2010s debates about health care, the economy, and other issues - which Brad saw as related to a larger theme of socail Darwinism - he wrote and recorded a set of songs setting his thoughts on these themes to eclectic, punk-tinged pop that picked up where the Mae Shi left off.  Dubbing the project Skull Tape.

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Hlllyh
Hlllyh
Listener beware: If indie affectations such as tides of vocal harmonies, video game MIDI programming and Casio beats, concept albums, religious themes, or concept albums with religious themes give you ulcers, then HLLLYH might send you running to your nearest message board to brag about how many songs it took you to erase it from your hard drive.
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Brad Breeck
Brad Breeck

Fresh and outside the box,
but also great if you like boxes...

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additional albums
  • Client / Brand
    Apple
  • Agency
    Media Arts Lab
  • Director
    Coppos / Lee
Apple
pinch
  • Client / Brand
    San Diego Tourism
  • Agency
    Mering Carson
  • Director
    Dana Tynan
San Diego Tourism
happy happens
  • Client / Brand
    Beringer
  • Director
    Olivier Gondry
Beringer
vineyard
  • Client / Brand
    MasterCard
  • Agency
    McCann NY
  • Director
    Laurent Chanez
MasterCard
chocolate covered jalapeno
  • Client / Brand
    Adidas
  • Agency
    180 LA
  • Director
    Martin Krejci | Dawson Production
Adidas
adi dassler
  • Client / Brand
    Renault
  • Agency
    WAM France
  • Director
    Philippe Andre
Renault
bel air
  • Client / Brand
    Fuel TV
  • Agency
    Stardust
  • Director
    Neil Tsai
Fuel TV
cardboard robot
  • Client / Brand
    The Hartford
  • Agency
    Rodgers Townsend
The Hartford
route 4
  • Client / Brand
    Mae Shi
Mae Shi
run to your grave
  • Client / Brand
    Acura
  • Agency
    RPA
Acura
sun

play reel

BRAD BREECK

Enigmatic composer Brad Breeck is said to have spent years of rigorous study in experimental art music forms at the California Institute of the Arts, resulting in a prodigious flood of high concept spazzy rock songs, freewheeling electronic noise etudes and clusterphonic kitchenware anthems.

However he seems equally at home with making lowest common denominator radio pop music, nasty banging hiphop, (and he also knocks out some very very useful orchestral scores) all skills put to good use in A-list film and commercial projects over recent years.

Brad is currently taking tennis lessons, producing bands, scoring Nickelodeon's Fanboy & Chum Chum and architecting music projects of all shapes and sizes.